Tag Archives: TrailerReview

The Last Jedi [Teaser Trailer]

Outlook: Face-melting excitement

Director: Rian Johnson

Cast: Mark Hamill, John Boyega, Daisy Ridley, Adam Driver, Carrie Fisher, Benicio Del Toro, Andy Serkis, Domhnall Gleeson, Gwendoline Christie, & Kelly Marie Tran

Last Jedi Poster.jpg

Hagood’s Review: 

To be perfectly honest, I cried when Rian Johnson introduced the trailer for Star Wars Episode VIII: The Last Jedi at Star Wars Celebration Orlando. I am beyond excited for this movie. But I must steel myself and try to be logical.  I was equally excited for The Force Awakens and after three viewings of it, I must admit, I’m a bit let down. Rogue One was a much stronger movie and I’m hoping that Kathleen Kennedy and Lucas Film have learned that Finn’s modern dialogue/humor and a hackneyed plot do not belong in the Star Wars universe.

Now, to the trailer. It begins during Rey’s training. The first shot shows her scared and out of breath with Luke’s voice telling her to breath. This harkens back to Luke’s training on Dagobah when he entered the cave to face his fear. I’m sure Luke will not take his training of Rey lightly, especially after losing all his former padawans to Kylo and his Knights of Ren. He’ll want to overly train her so she can survive another bout with the new Dark Lord. Also, during The Last Jedi panel, Mark Hamill mentioned that Daisy was his “dog” then he caught himself and said “companion,” which I’m sure means Luke puts Rey through hell.

I was quite fond of the shot of Rey standing above the sea pit during another training session and the next shot of her training with the lightsaber as Luke looks on. Kylo’s crushed and smoldering helmet is certainly intriguing. Why did Kylo destroy it? Does he feel he finally realize that he needs to forge his own path instead of trying to follow Vader’s? Was he even the one who destroyed it?

Also, what are in the Jedi scrolls Rey touches? How did Luke get them? Didn’t the Sith destroy them after they executed Order 66? I was happy to hear Rian Johnson say that The Last Jedi will uncover more of Rey’s backstory. That was another one of my qualms with The Force Awakens. It just stated stuff (i.e. Maz having Luke’s lightsaber) without backing things up. Some mystery is fine, but I hope this movie substantiates such plot holes.

There was a distinctly Mad Max-esque shot on a desert plain that seemed to have AT-AT’s in the distance fighting Alliance (?) land speeders. This match-up will hopefully best The Force Awakens land-air battle between The First Order and the Alliance on Maz Kanata’s planet of Takodana. I found that battle to be an unfulfilling tease due to a great set-up but poor payoff.

Another question that arose for me was the fire scene at the end. Was that a flashback to the Knights of Ren destroying Luke’s training academy or in the present? Thankfully Kylo is back (my favorite character) and he seemed to be in the present because you could see the scar on his face that Rey dealt him.

Finally, what does Luke mean by “It’s time for the Jedi to end?” Does he mean they need to evolve like the Sith did when they transformed into the Knights of Ren? Or does he mean something completely different?

I loved this trailer. This is how trailers are supposed to be made. It gave away no plot, but instead raised many questions without answering them. Kudos to Disney, Lucas Film, Kathleen Kennedy, and Rian Johnson. I cannot wait for The Last Jedi. 

Saul’s Review:

Given the striking opening to this trailer, The Last Jedi may be the best directed Star Wars film so far.

In the teaser trailer, we see the First Order retaliate following their loss of Starkiller Base, mirroring The Empire Strikes Back. Captain Phasma walks towards a burning settlement while a rebel base is attacked. Clearly the First Order are going to be a far more ubiquitous menance in this film, instead of threatening the galaxy via a doomsday weapon hidden on a remote planet. It would be interesting to see the First Order begin to take over more of the galaxy, and finally expand beyond the edges of space. Hopefully, we will not lose old man Luke Skywalker due to the First Order’s wrath.

I have two questions following the trailer. Firstly, what will Finn’s role be? He briefly appears in what seems to be a medical capsule, but no other information is given. More importantly, does Luke’s belief that the Jedi must end mean that he is now between the lightside and the darkside? If he is, what new order will emerge?

For the trailer, see below:

 

All Eyez on Me (2017) – Teaser

Outlook: Exciting, but uncertain

Director: Benny Boom

Cast: Demetrius Shipp Jr., Dominic L. Santana, & Jamal Woolard

I’m a huge Tupac fan, and I’ve been hankering for a movie focusing on the legend ever since Straight Outta Compton. This trailer paints a very exciting picture, but everyone involved with the project is largely untested. Director Benny Boom best known movies are B knockoffs like S.W.A.T.: Firefight and Next Day Air. The best thing he has going for him are his music video credits that include 50 Cent’s “Just a Lil Bit” and Ciara’s “1, 2 Step.” In other words, he understands the hip-hop community well. My other reservations include the cast. All Eyez on Me is Demetrius Shipp Jr.’s first movie and while he is Tupac’s doppelganger, that doesn’t guarantee an accurate or convincing portrayal of Tupac.

I’ll still happily go see it. I loved 2009’s Notorious that critics gave a middling 51% on Rotten Tomatoes. Us critics aren’t always right, so don’t take my words too seriously. Enjoy the trailer and I’ll let you know in June whether my fears are warranted.

Pirates of the Caribbean: Dead Men Tell No Tales (2017) – Teaser

Outlook: Shamefully Poor

Directors: Joachim Rønning & Espen Sandburg

Cast: Johnny Depp, Orlando Bloom (rumored), Javier Bardem, Geoffrey Rush, & David Wenham

Pirates of the Caribbean: Dead Men Tell No Tales comes out on my birthday. May 26 has seen the release of many great summer blockbusters, including a few Star War films. Thankfully, this year I will be in India, where I will hopefully not be near a theater playing this movie.

Disney is really scraping the bottom of the (rum) barrel with this fifth installment in the Pirates franchise. The trailer proclaims that this is Jack Sparrow’s “Final Adventure.” I certainly hope their statement is true.

The trailer repeats the plot of the franchise’s predecessors: Jack Sparrow (Johnny Depp) running away from some half-dead man who is out to kill him. Javier Bardem’s character, Spanish Captain Salazar, could easily be exchanged for Geoffrey Rush’s skeletal-zombie Barbossa from the first film, or Bill Nighy’s mutated Davy Jones from Dead Man’s Chest and At World’s End. Salazar looks like a mix between these two previous villains.

I would gladly open my wallet for Jack Sparrow if Disney put him on a different adventure. I thoroughly enjoyed the first film and liked the third one as they were different and fun. The second and fourth, Dead Man’s Chest On Stranger Tides, bored me because of their lacking plots, tired dialogue, and flat characters. I wanted to leave both. This movie, like those predecessors, looks fatigued.

The only part of the trailer that interested me was the introduction. I would love if this movie utilized a more historically accurate story instead of mystical elements and zombie villains. That would be a welcome change. Young Jack Sparrow looked like a stone-cold badass. I want more of him.

Sadly, it appears Disney is sticking to the formula that they know works. They’re even attempting to revive the Elizabeth Swan-Will Turner relationship without Kiera Knightley and Orlando Bloom. At least those two actors have the sense to stay away from a bad movie. It appears Johnny Depp either doesn’t care or needs the money to help maintain his stupidly opulent lifestyle.

I’m a HUGE Disney fan and I strongly believe it is a mistake to continue this franchise with such a recycled story. I hope that I’m wrong.

By Hagood Grantham

 

The Lost City of Z (2017) – Teaser

Outlook: Possibly a classic

Adapted from the non-fiction book of the same name, The Lost City of Z revolves around Col. Percival Fawcett (Charlie Hunnam) and his obsession to find a lost civilisation shrouded within the Amazon.

The plot, set in 1920’s, interspersed with Fawcett’s family life and trauma from the First World War, is invocative of the beginning wave of criticism towards Colonialism, at least in the West. The scenes within the trailer, from the small piles of human skills alongside the rivershore, to the explorers fleeing from attacking tribes and their barrages of arrows, invokes the spirit of Conrad’s Heart of Darkness.

The cast is stellar for this film, sporting Tom Holland of Spider-Man fame, Sienna Miller, and Robert Pattinson. Pattinson is almost unrecognisable in the trailer when he quietly questions Col. Percival Fawcett. Having lost weight and gained a thick beard for the role, Pattinson appears like a gaunt shell of a man, struggling on the edge of survival. I have a lot of respect for Pattinson as an actor, his roles since Twilight have shown that he is more than a teenage heart-throb. I hope that this role grants him the recognition he deserves.

James Gray, who is probably known for his film The immigrant, has directed the film. Gray and the author of The Lost City of Z, David Grann, have co-written the screenplay.

The Lost City of Z reminds me of Jauja, an underrated film starring Viggo Mortensen as a Danish man in Patagonia in the late 1800’s. Both films deal with men in strange foreign lands, driven onwards by a compulsion to find answers.

Personally, from the trailer alone, I think The Lost City of Z may be a classic.

Please do watch Jauja. It is an extremely underappreciated film with an interesting plot and great performances.Every scene in Jauja has the rich beauty of a Monet painting, except with more clarity. Ironically, I watched Jauja, which roughly means ‘ never never land’ in a small independent cinema in France called El Dorado. I was still swept away by the film, even though it was in Spanish and Danish, with French subtitles.

I guess that many people end up chasing after lost places or lost people.

By Saul Shimmin

For the trailer for both The Lost City of Z and Jauja, see below:

The Lost City of Z trailer

 

 

Jauja trailer:

 

Logan (2017) – Teaser

Logan opens on March 3, 2017. This movie is supposedly Hugh Jackman’s last time portraying Logan a.k.a. Wolverine. It is a role Mr. Jackman has held for the past 17 years. Marvel Entertainment, TSG Entertainment, and the Donners’ Company are producing it with 20th Century Fox handling distribution.

Honestly, Logan‘s second trailer let me down. Its first trailer was much more enthralling, sucking me in with the opening chords of Johnny Cash’s power ballad, “Hurt.” The trailer had minimal dialogue and consisted of stunning, western landscapes reminiscent of my recent favorites Sicario and Hell or High Water. The added electronic buildup to “Hurt’s” climax made my heart-rate jump up a 100 BPM. Most importantly, I felt it gave me enough of the plot to be intrigued, but not enough to spoil any major plot points.

While this trailer contained impressive violence, I felt that the snippets the trailer reveals of the girl’s power diminished her overall aura and mystery. Admittedly, I enjoyed seeing her fighting skills, however this trailer lacked the emotion and grip of the first trailer and left me feeling more disheartened than energized about Logan.

Additionally, I did some research about the film and discovered that shooting only began in May of 2016 and wrapped in early August. Three months is about normal for principal photography, but I hope its early spring release won’t hinder its post-production because a movie of this stature needs excellent special effects. Maybe studios spoil us now  with insane post-production schedules and budgets like Star Wars: Episode VIII‘s, which ended its principal photography in July, just one month before Logan. However, Disney won’t release it till December of this year, which means it’ll have 8 months more post-production time than Logan.

One good bit of news is that Stephen Merchant is starring in Logan. This was previously unbeknownst to me and I’m excited to see how the gangly-ginger-goon fits in.

**Quick aside: didn’t Professor X die in X-Men: The Last Stand? Marvel & Fox need to get their timelines straight.

Future Imperfect (Blade Runner 2049) (2017) -Teaser

All those moments are rebooted in time

A Blade Runner sequel has been rumoured for a long time. I was hoping a sequel would never materialise but we live amidst a swathe of reboots, spin-offs and sequels.

The original Blade Runner was in a reality where human sentience had become mass produced, leading to android slaves who were disposed of and hunted by natural humans. Thirty years later, I felt a nagging wave of irony that Blade Runner 2049 has replaced Harrison Ford, who played the original Blade Runner Deckard, with a younger model. Gosling’s character is an updated Deckard, a version that will may reach Blade Runner 2069 before his own ‘retirement’.

Blade Runner was a complete arc that needed no addition. I am wary that this new film is simply a reboot, the vanguard for a cycle of spin offs which belittle the world penned by the great Phillip.K.Dick.

Many have forgotten that Blade Runner was not a box-office smash. The film has become acclaimed over time due to its influence over following generations of filmmakers, writers, film theorists and other creatives. We live in a time where nostalgia is profitable, but if Blade Runner 2049 will match the original, it will have to bear an intellectual profoundness that is starkly different from the nostalgia action experiences of recent years.

I am disheartened that Ridley Scott is only acting as the executive producer for Blade Runner 2049, but Denis Villeneuve is an excellent director who most know for Sicario. His earlier film, Enemy, starring Jake Gyllenhaal in a tale of doppelgangers, proves that Villeneuve is willing to make films that challenge viewers.

The new film is still going to be set in the 1980’s conception of L.A in the near but radically different future. In the trailer, Gosling’s character ventures outside of L.A., into some hazardous hinterland where the environment has become a dust-bowl. Having read Do Androids Dream of Electric Sheep? four years before watching Blade Runner, I am curious to see how much of the land beyond L.A will be formed from the book, a world ravaged by Soviet-American nuclear war.

Blade Runner is a statement about existence, reality and whether we can leave a legacy after we die. Every time I watch the original, I am both relieved and unsettled, unable to answer all the questions the film raises. If Blade Runner 2049 does not deliver the same reaction, I hope it is forgotten, like tears in rain.

By Saul Shimmin