Tag Archives: MovieTrailer

Atomic Blonde (2017) – Teaser

Outlook: Most promising trailer of 2017 (so far)

Director: David Leitch

Cast: Charlize Theron, James McAvoy, John Goodman, Toby Jones, & Eddie Marsan

Atomic Blonde‘s opening fight scene harkens back to the early Bourne movies mixed with the bloody violence of John Wick. Its cinematography blends Zach Snyder’s pre-D.C. movies (Watchmen300Sucker Punch) with the stark quality of Bourne. I’m quite excited for this film because it appears to have a sense-of-self unlike many run of the mill spy/action movies.

The most negative aspect of the trailers is its plot, which appears to be a product of the trite lovers-revenge formula, which would normally be a bummer. However, its intense action and sex, coupled with the possibility of some good, dry British humor make me hopeful. I also enjoyed the neon signage that is reminiscent of Nicolas Winding Refn’s Drive and Neon Demon. Leitch put together a stellar cast that, by itself, does not guarantee success, but it does increase my desire to see it.

The largest unknown for Atomic Blonde is its director. Leitch only has an “uncredited” direction credit for John Wick. His career has  so far largely centered in stunt work where he has been a stunt-man, stunt-coordinator, and action choreographer for 82 titles in movies, TV shows, and video games. His only upcoming title is Deadpool 2, which means Fox has a ton of faith in him to put him at the helm of such a large cash-cow.

I’m choosing to side with Fox & Universal and believe that Leitch’s prodigious stunt experience will produce a quality action flick.

For trailer, see below.

By Hagood Grantham

Geostorm (2017) – Teaser

Outlook: Utter garbage

Director: Dean Devlin

Cast: Gerard Butler, Abbie Cornish, Ed Harris, & Andy Garcia

Hollywood must need a payday. Geostorm delivers our yearly disaster-movie that copies, almost frame for frame, the 2004 disaster film, Day After Tomorrow. The only alteration to its story is its storms’ origin. Day After Tomorrow‘s storms were a result of climate change, whereas Geostorm‘s occur due to a malfunctioning weather machine. Everything else appears unchanged.

Dean Devlin wrote and directs the movie. Devlin is a disaster film veteran, but this trailer reveals that he has learned little from his long career. His writing and production credits include Independence Day, Godzilla (’98)and 2016’s pitiful Independence Day: Resurgence. His filmography has been on a downward trajectory and I would wager Geostorm will continue this trend.

I reckon with Warner Bros. struggles with the subpar results from its D.C. properites, they’re looking for a sure payoff, but this movie will not be it. Its only solid star is Ed Harris and I doubt his name will connect with Geostorm‘s target audience: teenagers.

The movie’s CGI is beautiful, a prerequisite for a disaster film, so the movie might breakeven. The trailer does its job showing the correct amount of stern expressions, massive storms, and impending death, but I just can’t get past its hackneyed story elements that line up with Day After Tomorrow‘s plot: The tornadoes are identical to the ones that ravage LA and the tidal wave that appears at the end of the trailer is indistinguishable from the one that floods NYC.

The movie is due out in October 20, 2017. I will be seeing something else that day.

Kong: Skull Island (2017) – Teaser/IMAX Poster

kong-imax

Outlook: Skeptical

I’m not gonna lie. The images for this film are stunning. Google “Kong: Skull Island Posters” and you’ll find a trove of majestic photos that exude a distinctly retro/comic-book vibe. By the way, I’m a huge fan of Legendary Pictures, Brie Larson, Tom Hiddleston, Samuel L. Jackson, John Goodman, and John C. Reilly and most of them are coming off successful projects: Larson (RoomTrainwreck), Hiddleston (The Night Manager), Goodman (10 Cloverfield Lane), and Reilly (The Lobster). On the surface, this film appears ready to knock critics’ socks off and rule the box-office.

However, the movie’s director, Jordan Vogt-Roberts, is largely untested. He has only one movie under his belt, the indie-coming-of-age comedy Kings of Summer. I have yet to see this movie, but the plot looked promising and it’s currently rocking a solid 76% on RottenTomatoes.com. Nevertheless, it’s an indie-film with a budget of probably no more than $15 million. Kong, on the other hand, enjoys a budget that RottenTomatoes estimates to be about $190 million. It also boasts a studded cast that I’m sure had big and possibly unwieldy personalities, not to mention monumental special effects that such a monster-blockbuster requires. That’s many balls to juggle for a rookie director.

Also, the plot looks horrendous. After watching this trailer, all I thought was so what? Ok, there is a giant gorilla named Kong and he’s pissed that American soldiers are attacking his “kingdom.” Beyond this simple plot, the trailer provides no hints that the movie will attempt to rise above it. That worries me. At least Peter Jackson’s King Kong (2005) maintained some mystery surrounding the King instead of flying straight into him as soon as the explorers enter Skull Island’s airspace.

I’m incredibly skeptical of this film. I assume that Warner Brothers, the studio distributing the film, signed on to Skull Island in hopes of capitalizing on the monster craze that it reawakened in 2014 with Gareth Edward’s blockbuster Godzilla, which Legendary Pictures also produced and Warner Bros. distributed. That movie was beautifully shot and filled with wondrous CGI, but the entire story dragged and by the end, I was bored with the omnipotent, nuclear beast. I worry that the same fate awaits me in Kong: Skull Island.

Beauty and the Beast (2017) – Teaser

Outlook: Cautiously optimistic

“Tale as old as time,” Ariana Grande sings in Beauty and the Beast‘s final trailer. Yes, it is a tale as old as 1991. Beauty and the Beast has been around my whole life, so, to me, that famous lyric rings true as I’m sure it will for most of Beauty and the Beast‘s target audience.

With its series of live-action remakes that include Alice in Wonderland (2010)Maleficent (2014)Cinderella (2015), The Jungle Book (2016), and Pete’s Dragon (2016), some might think Disney has struck upon a golden formula. However, such people might be looking back upon these movies with rose-colored glasses thanks to the astounding success of The Jungle Book because it wasn’t until that movie that Disney got things right.

In 2010, Disney started strong at the box-office with its first two remakes Alice and Maleficent. They both grossed $320M and $190M, respectively. However, critics shunned the films, assigning them the mediocre scores of 52% and 50%. In Disney’s more recent live-action attempts, Cinderella and Pete’s Dragon, the studio finally won over critics, enjoying scores of 83% and 86% on RottenTomatoes.com, respectively, but neither came close to the $360+ million box office success of Jungle Book nor the lesser successes of Alice and Maleficent. Jungle remedied these imbalances by both winning over critics (95% on RottenTomatoes.com) and bringing in its largest box-office performance in the live-action remake sector, which set up the studio for a record breaking year.

Now all eyes are on this movie, Beauty and the Beast. Can it continue Disney’s hot streak and recreate Jungle‘s balancing-act of critical/box-office success? Can it lead Disney on to another record breaking year with a pipeline full of possible hits that include: Guardians of the Galaxy 2Pirates of the Caribbean: Dead Men Tell No TalesCars 3Thor: Ragnarok, Coco, and Star Wars: The Last Jedi.

Like The Jungle Book, this movie’s source material is incredibly well-known by audiences. Something I didn’t know till just now, Beauty was more than just a critical darling, it snagged an Oscar nomination for Best Picture in 1992. Laughably, Beauty‘s final trailer openly reveals the first half of the movie’s plot, in chronological order. Disney’s lack of effort to conceal the plot signals that it also realizes how familiar its target audience is with the original film. I believe this familiarity along with its star-studded cast (I’m eager to see Ewan McGregor as Lumiere) will generate large opening weekend number’s even if critics deride the movie.

However, I firmly believe that in today’s age of RottenTomatoes dominance, a movie cannot become a blockbuster without winning over critics. On this point, I’m a little nervous. Bill Condon is directing it and his biggest films up to this point have been Dreamgirls and Mr. Holmes. While I enjoyed the latter, it wasn’t a knock-your-socks-off type of good. It was just a good flick. Also, I must mention that in 2014 Condon  directed the Benedict Cumberbatch bomb, The Fifth Estate. While Condon is a veteran director, he lacks the pedigree and success of past live-action directors (e. g. Cinderella‘s Kenneth Branagh or The Jungle Book‘s Jon Favreau) and the fact that he directed that garbage, The Fifth Estate, makes me uneasy.

With all this on my mind, I rewatched this final trailer for the third time and hearing “Tale as old as time” still pulled at my heartstrings. Let’s hope this movie is more than just a waltz down memory lane to revisit Disney’s golden-era.

By Hagood Grantham