Tag Archives: MovieTrailer

Pacific Rim: Uprising

 

Outlook: Likely boring with the chance for some eye-candy action.

Release Date: March 2018

I almost exited out of the YouTube page halfway through this trailer. I LOVED Pacific Rim, and was stoked to see that Legendary Pictures released a trailer for its sequel. However, this trailer left a peculiar taste in my mouth: the taste of a forced reboot. The closest comparison I can draw it to is 20th Century Fox’s Independence Day: Resurgence  that came out last year before Saul and I founded Title Roll. If we had been writing reviews then, I would have proudly given the second Independence Day 0 out of 5 stars due to its lead actors’ wooden acting, uneven plot, and obvious forced creation.

new-clip-from-pacific-rim-featuring-a-hardcore-idris-elba-header

Idris Elba in Pacific Rim as Stacker Pentecost.

This trailer smacks of Independence Day: Regurgitation: In both movies, the humans thought they had won a war against an alien enemy only to discover that the enemy was not dead, but came back stronger. The films’ leads were filled by skilled actors (Will Smith in Independence Day and Idris Elba and Charlie Hunnam in Pacific Rim). However, none returned to their respective roles for the sequels. Another similarity that points to lazy writing both Smith and Elba’s characters’ sons are now the main characters, I’m sure seeking revenge for their “dead” fathers. And, of course, both movies’ plots center around “the fate of the world rests on our shoulders” mentality that is now too often voiced in trailers.

Pacific Rim Uprising

John Boyega as Stacker Pentecost’s son, Jake Pentecost.

Even though Pacific Rim‘s plot also rested on “the fate of the world depends on our success,” it didn’t state that fact outright nor did the movie commence with that statement unlike Uprising‘s trailer. Instead, Pacific Rim opened with a rich history about the war between the Jaegars and Kaiju. As the movie progresses, its history becomes more detailed as the main characters fill it in with their respective pasts and how the Kaiju effected or destroyed their lives. I believe this was the movie’s main strength.

Also, the fact that Guillermo del Toro is not in the director’s chair makes me nervous. His movies are always incredibly beautiful which was another major pleasure point of Pacific Rim. This sequel’s CGI pales in comparison to the first movie. It resembles the pitiful, cheap, and light CGI that Lions Gate utilized for this year’s Power Rangers film. I’m not sure if this is due to del Toro’s absence, a smaller budget, or the skill of untested director, Steven S. DeKnight, who is taking over for del Toro. While DeKnight has vast experience as a showrunner for Spartacus and Daredevil, he has never directed a movie nor has he had any involvement with a major motion picture. While this is not a damning factor, it does not bode well for Pacific Rim: Uprising. 

The upsides to this trailer are obviously the Tupac remix, which was fitting for its war filled scenes, but what intrigued me most was the Jaegar v. Jaegar clip. I hope that this means there is some infighting amongst the Jaegar pilots. Hopefully this can lead to character development and a deeper plot that what this trailer revealed.

By Hagood Grantham

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Trailer Roundup: September [Part II]

This is a follow up to our last trailer roundup, and we’ll start with the least enticing trailer and end with our favorite.

Tomb Raider

Release Date: March 2018

Starring the talented Alicia Vikander as Laura Croft (a fact Warner Bros. won’t let us forget anytime soon.. oh did we mention she’s an ACADEMY AWARD WINNER?), Laura Croft is Warner Bros’ next effort to reboot dead franchises after its flawed attempts to resuscitate King Kong and Godzilla. I have little hope that Warner Bros can rejuvenate what was a mediocre franchise to begin with despite starring Angelina Jolie.

I must admit the cast is beyond enticing. It stars one of my favorite TV stars, Walton Goggins, as the movie’s antagonist and features a small part by Nick Frost. But a good cast won’t persuade me to watch this Indiana Jones knock-off. I’m tired of movies where the plot is drive by “if [fill in the blank] succeeds, our world is in danger.”

 

Murder on the Orient Express

Release Date: November 10, 2017

I am nervous about this remake of Agatha Christie’s classic novel and the 1974 film starring Albert Finney as Hercule Poirot. While the cast is beyond stellar and I am a fan of Kenneth Branagh’s direction, the only reason I can see for remaking it is Fox studio execs saying, “which movies can we remake that will get audiences to unquestioningly open their wallets.” Murder on the Orient Express is the answer.

This is not a reason a movie should be made or remade. If the original was garbage, remake it. If the original was well acted, but the technology of the day was lacking to make the special effects pop, remake it. But the 1974 version was none of these things. Fox should have put their money towards making an original murder-mystery in the same vein as an Agatha Christie novel or penned a script for one of her lesser known books. But I’ll still go see it like the sucker I am.

I do believe theses actors will bring their A game. Especially Johnny Depp who has endured a string of flops. With his private life in shambles and Forbes bestowing him with the title of Hollywood’s The Most Overpaid Actor, Depp will be wanting to reestablish himself as the great actor he is and clear his tarnished name.

 

Isle of Dogs

Release Date: March 23, 2018

Wes Anderson is the king of light-hearted, yet heartfelt humor originating in the strangest of places. I am so stoked for this movie and quite angry that we are still a half a year away from its release date.

Despite the plot’s simplicity, I think this movie will be a success due its understated humor that comes from the childish, dog monologues like the one at the end of the trailer. I was rolling over laughing when I heard it. I’m glad films like this one are being made.

———————Bonus Trailer———————

Marvel’s The Punisher

Release Date: Late 2017

I know, I know, this is a TV show trailer, but, as you know from my John Wick 2 review, I love some good action and having Jon Bernthal (swiftly becoming one of my favorite actors) as the lead doesn’t hurt.

While the trailer made the plot sound formulaic as hell (Government out to kill one man for the secrets he knows), this does not mean the show will fall into hackneyed plot devices. Look at the Jason Bourne series. It rocked this plot (except the most recent film). If you’ve seen season two of Daredevil, you know Frank Castle is one of the most badass characters in TV and movies. I cannot wait for this show. Hopefully it will deliver more than The Defenders.

Atomic Blonde (2017) – Teaser

Outlook: Most promising trailer of 2017 (so far)

Director: David Leitch

Cast: Charlize Theron, James McAvoy, John Goodman, Toby Jones, & Eddie Marsan

Atomic Blonde‘s opening fight scene harkens back to the early Bourne movies mixed with the bloody violence of John Wick. Its cinematography blends Zach Snyder’s pre-D.C. movies (Watchmen300Sucker Punch) with the stark quality of Bourne. I’m quite excited for this film because it appears to have a sense-of-self unlike many run of the mill spy/action movies.

The most negative aspect of the trailers is its plot, which appears to be a product of the trite lovers-revenge formula, which would normally be a bummer. However, its intense action and sex, coupled with the possibility of some good, dry British humor make me hopeful. I also enjoyed the neon signage that is reminiscent of Nicolas Winding Refn’s Drive and Neon Demon. Leitch put together a stellar cast that, by itself, does not guarantee success, but it does increase my desire to see it.

The largest unknown for Atomic Blonde is its director. Leitch only has an “uncredited” direction credit for John Wick. His career has  so far largely centered in stunt work where he has been a stunt-man, stunt-coordinator, and action choreographer for 82 titles in movies, TV shows, and video games. His only upcoming title is Deadpool 2, which means Fox has a ton of faith in him to put him at the helm of such a large cash-cow.

I’m choosing to side with Fox & Universal and believe that Leitch’s prodigious stunt experience will produce a quality action flick.

For trailer, see below.

By Hagood Grantham

Geostorm (2017) – Teaser

Outlook: Utter garbage

Director: Dean Devlin

Cast: Gerard Butler, Abbie Cornish, Ed Harris, & Andy Garcia

Hollywood must need a payday. Geostorm delivers our yearly disaster-movie that copies, almost frame for frame, the 2004 disaster film, Day After Tomorrow. The only alteration to its story is its storms’ origin. Day After Tomorrow‘s storms were a result of climate change, whereas Geostorm‘s occur due to a malfunctioning weather machine. Everything else appears unchanged.

Dean Devlin wrote and directs the movie. Devlin is a disaster film veteran, but this trailer reveals that he has learned little from his long career. His writing and production credits include Independence Day, Godzilla (’98)and 2016’s pitiful Independence Day: Resurgence. His filmography has been on a downward trajectory and I would wager Geostorm will continue this trend.

I reckon with Warner Bros. struggles with the subpar results from its D.C. properites, they’re looking for a sure payoff, but this movie will not be it. Its only solid star is Ed Harris and I doubt his name will connect with Geostorm‘s target audience: teenagers.

The movie’s CGI is beautiful, a prerequisite for a disaster film, so the movie might breakeven. The trailer does its job showing the correct amount of stern expressions, massive storms, and impending death, but I just can’t get past its hackneyed story elements that line up with Day After Tomorrow‘s plot: The tornadoes are identical to the ones that ravage LA and the tidal wave that appears at the end of the trailer is indistinguishable from the one that floods NYC.

The movie is due out in October 20, 2017. I will be seeing something else that day.

Kong: Skull Island (2017) – Teaser/IMAX Poster

kong-imax

Outlook: Skeptical

I’m not gonna lie. The images for this film are stunning. Google “Kong: Skull Island Posters” and you’ll find a trove of majestic photos that exude a distinctly retro/comic-book vibe. By the way, I’m a huge fan of Legendary Pictures, Brie Larson, Tom Hiddleston, Samuel L. Jackson, John Goodman, and John C. Reilly and most of them are coming off successful projects: Larson (RoomTrainwreck), Hiddleston (The Night Manager), Goodman (10 Cloverfield Lane), and Reilly (The Lobster). On the surface, this film appears ready to knock critics’ socks off and rule the box-office.

However, the movie’s director, Jordan Vogt-Roberts, is largely untested. He has only one movie under his belt, the indie-coming-of-age comedy Kings of Summer. I have yet to see this movie, but the plot looked promising and it’s currently rocking a solid 76% on RottenTomatoes.com. Nevertheless, it’s an indie-film with a budget of probably no more than $15 million. Kong, on the other hand, enjoys a budget that RottenTomatoes estimates to be about $190 million. It also boasts a studded cast that I’m sure had big and possibly unwieldy personalities, not to mention monumental special effects that such a monster-blockbuster requires. That’s many balls to juggle for a rookie director.

Also, the plot looks horrendous. After watching this trailer, all I thought was so what? Ok, there is a giant gorilla named Kong and he’s pissed that American soldiers are attacking his “kingdom.” Beyond this simple plot, the trailer provides no hints that the movie will attempt to rise above it. That worries me. At least Peter Jackson’s King Kong (2005) maintained some mystery surrounding the King instead of flying straight into him as soon as the explorers enter Skull Island’s airspace.

I’m incredibly skeptical of this film. I assume that Warner Brothers, the studio distributing the film, signed on to Skull Island in hopes of capitalizing on the monster craze that it reawakened in 2014 with Gareth Edward’s blockbuster Godzilla, which Legendary Pictures also produced and Warner Bros. distributed. That movie was beautifully shot and filled with wondrous CGI, but the entire story dragged and by the end, I was bored with the omnipotent, nuclear beast. I worry that the same fate awaits me in Kong: Skull Island.

Beauty and the Beast (2017) – Teaser

Outlook: Cautiously optimistic

“Tale as old as time,” Ariana Grande sings in Beauty and the Beast‘s final trailer. Yes, it is a tale as old as 1991. Beauty and the Beast has been around my whole life, so, to me, that famous lyric rings true as I’m sure it will for most of Beauty and the Beast‘s target audience.

With its series of live-action remakes that include Alice in Wonderland (2010)Maleficent (2014)Cinderella (2015), The Jungle Book (2016), and Pete’s Dragon (2016), some might think Disney has struck upon a golden formula. However, such people might be looking back upon these movies with rose-colored glasses thanks to the astounding success of The Jungle Book because it wasn’t until that movie that Disney got things right.

In 2010, Disney started strong at the box-office with its first two remakes Alice and Maleficent. They both grossed $320M and $190M, respectively. However, critics shunned the films, assigning them the mediocre scores of 52% and 50%. In Disney’s more recent live-action attempts, Cinderella and Pete’s Dragon, the studio finally won over critics, enjoying scores of 83% and 86% on RottenTomatoes.com, respectively, but neither came close to the $360+ million box office success of Jungle Book nor the lesser successes of Alice and Maleficent. Jungle remedied these imbalances by both winning over critics (95% on RottenTomatoes.com) and bringing in its largest box-office performance in the live-action remake sector, which set up the studio for a record breaking year.

Now all eyes are on this movie, Beauty and the Beast. Can it continue Disney’s hot streak and recreate Jungle‘s balancing-act of critical/box-office success? Can it lead Disney on to another record breaking year with a pipeline full of possible hits that include: Guardians of the Galaxy 2Pirates of the Caribbean: Dead Men Tell No TalesCars 3Thor: Ragnarok, Coco, and Star Wars: The Last Jedi.

Like The Jungle Book, this movie’s source material is incredibly well-known by audiences. Something I didn’t know till just now, Beauty was more than just a critical darling, it snagged an Oscar nomination for Best Picture in 1992. Laughably, Beauty‘s final trailer openly reveals the first half of the movie’s plot, in chronological order. Disney’s lack of effort to conceal the plot signals that it also realizes how familiar its target audience is with the original film. I believe this familiarity along with its star-studded cast (I’m eager to see Ewan McGregor as Lumiere) will generate large opening weekend number’s even if critics deride the movie.

However, I firmly believe that in today’s age of RottenTomatoes dominance, a movie cannot become a blockbuster without winning over critics. On this point, I’m a little nervous. Bill Condon is directing it and his biggest films up to this point have been Dreamgirls and Mr. Holmes. While I enjoyed the latter, it wasn’t a knock-your-socks-off type of good. It was just a good flick. Also, I must mention that in 2014 Condon  directed the Benedict Cumberbatch bomb, The Fifth Estate. While Condon is a veteran director, he lacks the pedigree and success of past live-action directors (e. g. Cinderella‘s Kenneth Branagh or The Jungle Book‘s Jon Favreau) and the fact that he directed that garbage, The Fifth Estate, makes me uneasy.

With all this on my mind, I rewatched this final trailer for the third time and hearing “Tale as old as time” still pulled at my heartstrings. Let’s hope this movie is more than just a waltz down memory lane to revisit Disney’s golden-era.

By Hagood Grantham