Tag Archives: Kathleen Kennedy

Kenobi [Movie Poster]

First of all, this movie is not real. Not yet. It’s a fan-made poster, but, according to The Hollywood Reporter, it has gained serious traction among Star Wars fans on reddit.

obiwan posters

Twenty-year old British artist Tom Lathom-Sharp created the poster. He posits George Miller in the director chair. You probably best know Miller for his latest film, Mad Max: Fury Road. With the spaghetti western/Tarantino aesthetic Lathom-Sharp imbues the poster, Miller is a perfect choice. He also credits Tyler Sheridan as the movie’s writer, but no notable Tyler Sheridan exists. When I Googled Tyler Sheridan, “Did you mean Taylor Sheridan?” popped up. I want to ask Lathom-Sharp the same question because if he did mean Taylor Sheridan then this movie would likely be the most likely Star Wars film to win Best Picture since A New Hope. Taylor Sheridan is known for his writing credits on modern-western powerhouse films like Sicario and Hell or High Water. The combination of George Miller and Sheridan on any film would attract major attention. Get them to collaborate on a Star Wars film, Kathleen Kennedy would be looking at a rare breed of critical darling and blockbuster.

Even though the Star Wars community desires a Kenobi movie and Ewan McGregor said, “I’d be happy to do it, if they want to do it” that does not necessarily mean Lucasfilm will create an Obi-Wan standalone film. This is because Lucasfilm’s Star Wars Story Group, a writer’s room tasked with keeping Star War’s timeline in check, must approve any idea or movie concept and make sure it can seamlessly weave into their overarching narrative. They have already approved a Marvel comic chronicling Obi-Wan’s time on Tatooine called Star Wars #7, so maybe they’d be open to expanding upon Obi-Wan’s time as Luke’s invisible guardian or translating the comic’s action onto film.

Such an action from the Group is not unthinkable. 2016’s Rogue One, the first Star Wars anthology film, bloomed from an idea Lucasfilm creative director John Knoll had while watching A New Hope’s opening title crawl. Even though Knoll is a higher-up at Lucasfilm, Rogue One proves that the Story Group is open to outside ideas. Maybe someone within Lucasfilm will pitch this idea to the Group. I cannot think of a better setting for a space, spaghetti western than the desert planet of Tatooine.


Star Wars: The Last Jedi (2017) – Teaser


On January 23, 2017, almost a month after Disney’s release of Rogue One, the studio released the title of its next Star Wars film: Star Wars: The Last Jedi. Once again LucasFilm and Disney decide to keep in line with The Force Awakens and drop the episode connotation from the title.

We here at Title Roll Reviews are nervously excited about the new title. We hope that “The Last Jedi” refers to both Rey and Old Man Skywalker surviving the film since Jedi is both the plural and singular form of a lightside-warrior.

Rian Johnson (Looper) helms the film as both writer and director. Looking at the IMDB page for the movie humorously Tom Hardy is supposedly going to be a “Stormtrooper.” While we would dig this outcome, we doubt that Johnson will pull another major-Daniel Craig type cameo.

We are both looking forward to seeing Benicio Del Toro’s role in the movie, especially since the Star Wars films tend to get darker in their respective second chapters.

It will be exciting to see how The Last Jedi answers the questions raised in The Force Awakens about Snoke, the end of Luke’s revived Jedi academy, who the Knights of Ren are and where Rey comes from.

In order to succeed, The Last Jedi must overcome J.J. Abrams’ legacy of liberally borrowing elements of A New Hope‘s plot for The Force Awakens. By doing so, Abrams has set the new trilogy upon the same arc as the original films. The Jedi, once again, have been betrayed and destroyed. One Jedi remains that we know about (Obi-Wan), and a young person of unknown origin (Luke) wishes to become a Jedi. The Last Jedi  must steer away from The Force Awakens’ reliance on nostalgia and deliver a new tale. Failure to do so will render the new films so similar to their predecessors, that they will effectively be reboots.

Mr. Johnson’s first film, Looper, is a flawed but underappreciated film that deserves a second viewing by most people. The film revealed Johnson’s talent as writer and director through the movie’s reinvigoration of the concept of time travel with new ideas. At times, Johnson’s attempts in Looper did falter, but five years have passed since Looper’s release, giving Johnson time to hone his craft.

We are both confident that Johnson will deliver a bold departure for the Star Wars series due to his competency as sci-fi writer and director who creates plots replete with unorthodox concepts. After three prequels, a spin-off and a soft reboot, Star Wars needs to take a risk.

Disney will likely soon release a trailer for the movie in the coming weeks so check back here for that and may the Force be with you.