Tag Archives: EwanMcGregor

Kenobi [Movie Poster]

First of all, this movie is not real. Not yet. It’s a fan-made poster, but, according to The Hollywood Reporter, it has gained serious traction among Star Wars fans on reddit.

obiwan posters

Twenty-year old British artist Tom Lathom-Sharp created the poster. He posits George Miller in the director chair. You probably best know Miller for his latest film, Mad Max: Fury Road. With the spaghetti western/Tarantino aesthetic Lathom-Sharp imbues the poster, Miller is a perfect choice. He also credits Tyler Sheridan as the movie’s writer, but no notable Tyler Sheridan exists. When I Googled Tyler Sheridan, “Did you mean Taylor Sheridan?” popped up. I want to ask Lathom-Sharp the same question because if he did mean Taylor Sheridan then this movie would likely be the most likely Star Wars film to win Best Picture since A New Hope. Taylor Sheridan is known for his writing credits on modern-western powerhouse films like Sicario and Hell or High Water. The combination of George Miller and Sheridan on any film would attract major attention. Get them to collaborate on a Star Wars film, Kathleen Kennedy would be looking at a rare breed of critical darling and blockbuster.

Even though the Star Wars community desires a Kenobi movie and Ewan McGregor said, “I’d be happy to do it, if they want to do it” that does not necessarily mean Lucasfilm will create an Obi-Wan standalone film. This is because Lucasfilm’s Star Wars Story Group, a writer’s room tasked with keeping Star War’s timeline in check, must approve any idea or movie concept and make sure it can seamlessly weave into their overarching narrative. They have already approved a Marvel comic chronicling Obi-Wan’s time on Tatooine called Star Wars #7, so maybe they’d be open to expanding upon Obi-Wan’s time as Luke’s invisible guardian or translating the comic’s action onto film.

Such an action from the Group is not unthinkable. 2016’s Rogue One, the first Star Wars anthology film, bloomed from an idea Lucasfilm creative director John Knoll had while watching A New Hope’s opening title crawl. Even though Knoll is a higher-up at Lucasfilm, Rogue One proves that the Story Group is open to outside ideas. Maybe someone within Lucasfilm will pitch this idea to the Group. I cannot think of a better setting for a space, spaghetti western than the desert planet of Tatooine.

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Beauty and the Beast (2017) – Teaser

Outlook: Cautiously optimistic

“Tale as old as time,” Ariana Grande sings in Beauty and the Beast‘s final trailer. Yes, it is a tale as old as 1991. Beauty and the Beast has been around my whole life, so, to me, that famous lyric rings true as I’m sure it will for most of Beauty and the Beast‘s target audience.

With its series of live-action remakes that include Alice in Wonderland (2010)Maleficent (2014)Cinderella (2015), The Jungle Book (2016), and Pete’s Dragon (2016), some might think Disney has struck upon a golden formula. However, such people might be looking back upon these movies with rose-colored glasses thanks to the astounding success of The Jungle Book because it wasn’t until that movie that Disney got things right.

In 2010, Disney started strong at the box-office with its first two remakes Alice and Maleficent. They both grossed $320M and $190M, respectively. However, critics shunned the films, assigning them the mediocre scores of 52% and 50%. In Disney’s more recent live-action attempts, Cinderella and Pete’s Dragon, the studio finally won over critics, enjoying scores of 83% and 86% on RottenTomatoes.com, respectively, but neither came close to the $360+ million box office success of Jungle Book nor the lesser successes of Alice and Maleficent. Jungle remedied these imbalances by both winning over critics (95% on RottenTomatoes.com) and bringing in its largest box-office performance in the live-action remake sector, which set up the studio for a record breaking year.

Now all eyes are on this movie, Beauty and the Beast. Can it continue Disney’s hot streak and recreate Jungle‘s balancing-act of critical/box-office success? Can it lead Disney on to another record breaking year with a pipeline full of possible hits that include: Guardians of the Galaxy 2Pirates of the Caribbean: Dead Men Tell No TalesCars 3Thor: Ragnarok, Coco, and Star Wars: The Last Jedi.

Like The Jungle Book, this movie’s source material is incredibly well-known by audiences. Something I didn’t know till just now, Beauty was more than just a critical darling, it snagged an Oscar nomination for Best Picture in 1992. Laughably, Beauty‘s final trailer openly reveals the first half of the movie’s plot, in chronological order. Disney’s lack of effort to conceal the plot signals that it also realizes how familiar its target audience is with the original film. I believe this familiarity along with its star-studded cast (I’m eager to see Ewan McGregor as Lumiere) will generate large opening weekend number’s even if critics deride the movie.

However, I firmly believe that in today’s age of RottenTomatoes dominance, a movie cannot become a blockbuster without winning over critics. On this point, I’m a little nervous. Bill Condon is directing it and his biggest films up to this point have been Dreamgirls and Mr. Holmes. While I enjoyed the latter, it wasn’t a knock-your-socks-off type of good. It was just a good flick. Also, I must mention that in 2014 Condon  directed the Benedict Cumberbatch bomb, The Fifth Estate. While Condon is a veteran director, he lacks the pedigree and success of past live-action directors (e. g. Cinderella‘s Kenneth Branagh or The Jungle Book‘s Jon Favreau) and the fact that he directed that garbage, The Fifth Estate, makes me uneasy.

With all this on my mind, I rewatched this final trailer for the third time and hearing “Tale as old as time” still pulled at my heartstrings. Let’s hope this movie is more than just a waltz down memory lane to revisit Disney’s golden-era.

By Hagood Grantham