Category Archives: Movie Trailer

The Beguiled

Film Score: 4 out of 5 (Excellent)

Director: Sofia Coppola

Cast: Colin Farrel, Nicole Kidman, Kirsten Dunst, Elle Fanning.

A dark Southern Gothic tale set in the American Civil War, The Beguiled oozes with sexual tension through suggestion and dry humour. Sofia Coppola delights in stripping away the propriety of the women and young girls at Farnsworth School like a chafing corset once wounded Union soldier Corporal James McBurney (Colin Farrel) arrives. Alfred Hitchcock would be proud of this subtle work that lingers on your brain long after viewing.

The Beguiled is a remake of the 1971 original that starred Clint Eastwood. Speaking on BBC 4’s Front Row, Sofia Coppola stated she was initially reluctant to remake the film, but after watching the original, she was motivated to re-adapt the novel of the same name.

Sofia Coppola has created a remake from the women’s perspective but The Beguiled is not bridled by a burning feminist agenda. Instead, the film speaks about desperate people trapped in a world that is ending around them. Farnsworth School, created to train young girls into Southern Belles, is now faced by the American Civil War, a conflict destroying the way of life the school upholds. The signs of collapse are everywhere; the garden quietly rots away while cannon fire roars from the battlefield, marching ever closer towards the school’s garden walls. The school’s interior has the air of a cold mortuary devoid of light or vibrancy, the indoor scenes are swathed in sombre colours and what little light there is splutters in from the windows.

Corporal James McBurney and the women see each other as their own escape from this desperate situation. To the women, James McBurney is the outside world they long for while for McBurney, the women, and the school are a sanctuary from the war he deserted.  Each side realise that the other is not the escape they hoped for making them all the more desperate and unpredictable.

At its heart, The Beguiled is a dark inverted version of the Adam and Eve story. The arrival of a man to the struggling community of women draws out their desires and passions. Snippets of conversations reference the Adam and Eve story,  while visually particular shots framed through the wrought iron entrance divide the garden from the outside world. Ultimately, it is those passions that McBurney stirs in the women that cause events to unfold and McBurney to be cast out of the garden.

There is not a weak performance from the cast. Nicole Kidman adds a subdued hysteria to her role as headmistress, Miss Martha Farnsworth, often projecting a wide eyed stare reminiscent of an irate Margaret Thatcher. Miss Farnsworth is similar to Kidman’s earlier role as Evelyn Stoker in Stoker, but Kidman excels regardless. The best performance is a tie between Kirsten Dunst as teacher, Edwina Morrow, and the young actresses playing the other students.  Edwina truly seems like an innocent women who falls for McBurney, perceiving him as an escape from the grip of Miss Farnsworth and her school.  The young actresses playing Jane, Emily, Amy, and Marie bring both comedy and tragedy to The Beguiled as they fail to hide their affection for McBurney before their innocence is crushed by what unfolds.

Visually, Sofia uses the environment alone to convey the meaning of the film. The empty halls and bare rooms add the sense of decay and abandonment, while the young children indirectly act as narrators, closing each act by scanning the horizon for troop movements in the dusk. Sofia Coppola’s spartan direction proves that she is at the peak of her powers. Other reviews have criticised The Beguiled as meandering and half formed but it is a film that expects and rewards attentive viewers.

For a story that unfolds in Virginia, The Beguiled‘s filming location of Georgia betrays it immediately in the opening scenes. The tropical foliage of the Georgia climes are the polar opposite of the milder Virginia landscape and will tear down the suspension of disbelief for some viewers who know the South.

Dunkirk is a revelatory experience of both history and cinema, but The Beguiled is a masterful story full of great performances and sparse up close visuals which draws from Stoker. In my opinion, both Dunkirk and The Beguiled are the films to watch this summer, despite what other critics say about both.

By Saul Shimmin

For the trailer, see below.

 

Star Wars: The Last Jedi [Behind the Scenes Trailer]

Today, July 15, in its measured roll-out in anticipation of The Last Jedi‘s December release, Disney delivered its second “trailer” for the film. While it is not a real trailer, the short video reveals just under three minutes of riveting tid-bits. We’ll discuss some key aspects of it below, but first, here is the trailer:

Key aspects:

  1. During their interviews, Daisy Ridley and Mark Hamill hint that The Last Jedi will depart from the Star Wars norm. I, and I’m sure many other fans, would welcome such a departure after The Force Awakens highly derivative plot.
  2. In a brief clip, Kylo Ren appears in front of an elevator and walkway that looks incredibly similar to The Emperor’s throne room in Return of the Jedi. Maybe we will meet Snoke here, face-to-face. But once again, I hope this does not indicated that Rian Johnson is ripping off the earlier films like J. J. Abrams and Lawrence Kasdan did with Awakens.
  3. Who are the Stormtroopers with the black, First Order emblem emblazoned on their arms and wielding weird claw weapons?
  4. This video is laden with intriguing creatures and characters. I hope they mean that multiple, rich and well-thought out planets will fill The Last Jedi, unlike the two, rather boring planets from The Force Awakens.
  5. I’m extremely excited to meet Laura Dern and Benicio del Toro’s characters who we see for a few seconds in the trailer. The only thing I know about del Toro’s character is that people call him DJ. I also know he was a bad ass in Sicario so hopefully his savageness will carry over.
  6. We see Finn exiting his bacta tank so he is obviously alive and Kylo doesn’t appear too badly injured from the slash Rey dealt him at the end of Awakens. Also, who are the two young gentle sparring with him? Possibly, Luke’s padawans that Kylo and the Knights of Ren massacred? Rey seems to also have some sword fighting ahead.

Sorry if I criticiseThe Force Awakens too much here, but after each viewing, I dislike it more and more. Its dialogue failed to fit into the Star Wars universe, its world building seemed lazy, and, as I mentioned earlier, its plot relied way too heavily on A New Hope‘s.

I have high hopes for this installment, in no small part to Rian Johnson.I hope his skill at film making remains iconic and deft in this endeavor into the Star Wars universe.

Kenobi [Movie Poster]

First of all, this movie is not real. Not yet. It’s a fan-made poster, but, according to The Hollywood Reporter, it has gained serious traction among Star Wars fans on reddit.

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Twenty-year old British artist Tom Lathom-Sharp created the poster. He posits George Miller in the director chair. You probably best know Miller for his latest film, Mad Max: Fury Road. With the spaghetti western/Tarantino aesthetic Lathom-Sharp imbues the poster, Miller is a perfect choice. He also credits Tyler Sheridan as the movie’s writer, but no notable Tyler Sheridan exists. When I Googled Tyler Sheridan, “Did you mean Taylor Sheridan?” popped up. I want to ask Lathom-Sharp the same question because if he did mean Taylor Sheridan then this movie would likely be the most likely Star Wars film to win Best Picture since A New Hope. Taylor Sheridan is known for his writing credits on modern-western powerhouse films like Sicario and Hell or High Water. The combination of George Miller and Sheridan on any film would attract major attention. Get them to collaborate on a Star Wars film, Kathleen Kennedy would be looking at a rare breed of critical darling and blockbuster.

Even though the Star Wars community desires a Kenobi movie and Ewan McGregor said, “I’d be happy to do it, if they want to do it” that does not necessarily mean Lucasfilm will create an Obi-Wan standalone film. This is because Lucasfilm’s Star Wars Story Group, a writer’s room tasked with keeping Star War’s timeline in check, must approve any idea or movie concept and make sure it can seamlessly weave into their overarching narrative. They have already approved a Marvel comic chronicling Obi-Wan’s time on Tatooine called Star Wars #7, so maybe they’d be open to expanding upon Obi-Wan’s time as Luke’s invisible guardian or translating the comic’s action onto film.

Such an action from the Group is not unthinkable. 2016’s Rogue One, the first Star Wars anthology film, bloomed from an idea Lucasfilm creative director John Knoll had while watching A New Hope’s opening title crawl. Even though Knoll is a higher-up at Lucasfilm, Rogue One proves that the Story Group is open to outside ideas. Maybe someone within Lucasfilm will pitch this idea to the Group. I cannot think of a better setting for a space, spaghetti western than the desert planet of Tatooine.

The Exception [Trailer Review]

Outlook: Simple, but possibly pleasing

Director: David Leveaux

Cast: Lily James, Jai Courtney, Christopher Plummer, Ben Daniels, & Eddie Marsan.

Whenever the A24 logo appears, I pay attention. When I noticed that The Exception takes place during World War II, I was sold. After watching the trailer, the plot appears fairly basic: Forbidden love, dark secrets, and a mysterious man who may end up being the villain.

Receiving little information from the trailer, I will go see this movie because I’m willing to fully place my faith in A24 to produce another solid film after having success across varied genres such as VVitch, Ex Machina, Room, 20th Century Women, Locke, and Moonlight. However, we must all remember that not all of the studio’s films have been well received by critics and audiences. Take Trespass Against Us or Mojave. Both films displeased their respective viewers despite sporting strong casts and interesting plots.

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I’m a fan of Christopher Plummer and The Exception’s trailer is reminiscent of The Girl with the Dragon Tattoo which is one of my all time favorite films. Placing my bias aside, The Exception has the potential to be great if David Leveaux can balance the atmosphere of mystery that the trailer cultivates alongside the themes of love and duty.  However, The Exception may be the opposite of its namesake, relying upon the well-worn trope of star-crossed lovers and devolving into a half-boiled thriller.

Overall, I’m cautiously hopeful. Let us know your thoughts.

For trailer, see below.

By Hagood Grantham

The Last Jedi [Teaser Trailer]

Outlook: Face-melting excitement

Director: Rian Johnson

Cast: Mark Hamill, John Boyega, Daisy Ridley, Adam Driver, Carrie Fisher, Benicio Del Toro, Andy Serkis, Domhnall Gleeson, Gwendoline Christie, & Kelly Marie Tran

Last Jedi Poster.jpg

Hagood’s Review: 

To be perfectly honest, I cried when Rian Johnson introduced the trailer for Star Wars Episode VIII: The Last Jedi at Star Wars Celebration Orlando. I am beyond excited for this movie. But I must steel myself and try to be logical.  I was equally excited for The Force Awakens and after three viewings of it, I must admit, I’m a bit let down. Rogue One was a much stronger movie and I’m hoping that Kathleen Kennedy and Lucas Film have learned that Finn’s modern dialogue/humor and a hackneyed plot do not belong in the Star Wars universe.

Now, to the trailer. It begins during Rey’s training. The first shot shows her scared and out of breath with Luke’s voice telling her to breath. This harkens back to Luke’s training on Dagobah when he entered the cave to face his fear. I’m sure Luke will not take his training of Rey lightly, especially after losing all his former padawans to Kylo and his Knights of Ren. He’ll want to overly train her so she can survive another bout with the new Dark Lord. Also, during The Last Jedi panel, Mark Hamill mentioned that Daisy was his “dog” then he caught himself and said “companion,” which I’m sure means Luke puts Rey through hell.

I was quite fond of the shot of Rey standing above the sea pit during another training session and the next shot of her training with the lightsaber as Luke looks on. Kylo’s crushed and smoldering helmet is certainly intriguing. Why did Kylo destroy it? Does he feel he finally realize that he needs to forge his own path instead of trying to follow Vader’s? Was he even the one who destroyed it?

Also, what are in the Jedi scrolls Rey touches? How did Luke get them? Didn’t the Sith destroy them after they executed Order 66? I was happy to hear Rian Johnson say that The Last Jedi will uncover more of Rey’s backstory. That was another one of my qualms with The Force Awakens. It just stated stuff (i.e. Maz having Luke’s lightsaber) without backing things up. Some mystery is fine, but I hope this movie substantiates such plot holes.

There was a distinctly Mad Max-esque shot on a desert plain that seemed to have AT-AT’s in the distance fighting Alliance (?) land speeders. This match-up will hopefully best The Force Awakens land-air battle between The First Order and the Alliance on Maz Kanata’s planet of Takodana. I found that battle to be an unfulfilling tease due to a great set-up but poor payoff.

Another question that arose for me was the fire scene at the end. Was that a flashback to the Knights of Ren destroying Luke’s training academy or in the present? Thankfully Kylo is back (my favorite character) and he seemed to be in the present because you could see the scar on his face that Rey dealt him.

Finally, what does Luke mean by “It’s time for the Jedi to end?” Does he mean they need to evolve like the Sith did when they transformed into the Knights of Ren? Or does he mean something completely different?

I loved this trailer. This is how trailers are supposed to be made. It gave away no plot, but instead raised many questions without answering them. Kudos to Disney, Lucas Film, Kathleen Kennedy, and Rian Johnson. I cannot wait for The Last Jedi. 

Saul’s Review:

Given the striking opening to this trailer, The Last Jedi may be the best directed Star Wars film so far.

In the teaser trailer, we see the First Order retaliate following their loss of Starkiller Base, mirroring The Empire Strikes Back. Captain Phasma walks towards a burning settlement while a rebel base is attacked. Clearly the First Order are going to be a far more ubiquitous menance in this film, instead of threatening the galaxy via a doomsday weapon hidden on a remote planet. It would be interesting to see the First Order begin to take over more of the galaxy, and finally expand beyond the edges of space. Hopefully, we will not lose old man Luke Skywalker due to the First Order’s wrath.

I have two questions following the trailer. Firstly, what will Finn’s role be? He briefly appears in what seems to be a medical capsule, but no other information is given. More importantly, does Luke’s belief that the Jedi must end mean that he is now between the lightside and the darkside? If he is, what new order will emerge?

For the trailer, see below:

 

All Eyez on Me (2017) – Teaser

Outlook: Exciting, but uncertain

Director: Benny Boom

Cast: Demetrius Shipp Jr., Dominic L. Santana, & Jamal Woolard

I’m a huge Tupac fan, and I’ve been hankering for a movie focusing on the legend ever since Straight Outta Compton. This trailer paints a very exciting picture, but everyone involved with the project is largely untested. Director Benny Boom best known movies are B knockoffs like S.W.A.T.: Firefight and Next Day Air. The best thing he has going for him are his music video credits that include 50 Cent’s “Just a Lil Bit” and Ciara’s “1, 2 Step.” In other words, he understands the hip-hop community well. My other reservations include the cast. All Eyez on Me is Demetrius Shipp Jr.’s first movie and while he is Tupac’s doppelganger, that doesn’t guarantee an accurate or convincing portrayal of Tupac.

I’ll still happily go see it. I loved 2009’s Notorious that critics gave a middling 51% on Rotten Tomatoes. Us critics aren’t always right, so don’t take my words too seriously. Enjoy the trailer and I’ll let you know in June whether my fears are warranted.

Atomic Blonde (2017) – Teaser

Outlook: Most promising trailer of 2017 (so far)

Director: David Leitch

Cast: Charlize Theron, James McAvoy, John Goodman, Toby Jones, & Eddie Marsan

Atomic Blonde‘s opening fight scene harkens back to the early Bourne movies mixed with the bloody violence of John Wick. Its cinematography blends Zach Snyder’s pre-D.C. movies (Watchmen300Sucker Punch) with the stark quality of Bourne. I’m quite excited for this film because it appears to have a sense-of-self unlike many run of the mill spy/action movies.

The most negative aspect of the trailers is its plot, which appears to be a product of the trite lovers-revenge formula, which would normally be a bummer. However, its intense action and sex, coupled with the possibility of some good, dry British humor make me hopeful. I also enjoyed the neon signage that is reminiscent of Nicolas Winding Refn’s Drive and Neon Demon. Leitch put together a stellar cast that, by itself, does not guarantee success, but it does increase my desire to see it.

The largest unknown for Atomic Blonde is its director. Leitch only has an “uncredited” direction credit for John Wick. His career has  so far largely centered in stunt work where he has been a stunt-man, stunt-coordinator, and action choreographer for 82 titles in movies, TV shows, and video games. His only upcoming title is Deadpool 2, which means Fox has a ton of faith in him to put him at the helm of such a large cash-cow.

I’m choosing to side with Fox & Universal and believe that Leitch’s prodigious stunt experience will produce a quality action flick.

For trailer, see below.

By Hagood Grantham

Geostorm (2017) – Teaser

Outlook: Utter garbage

Director: Dean Devlin

Cast: Gerard Butler, Abbie Cornish, Ed Harris, & Andy Garcia

Hollywood must need a payday. Geostorm delivers our yearly disaster-movie that copies, almost frame for frame, the 2004 disaster film, Day After Tomorrow. The only alteration to its story is its storms’ origin. Day After Tomorrow‘s storms were a result of climate change, whereas Geostorm‘s occur due to a malfunctioning weather machine. Everything else appears unchanged.

Dean Devlin wrote and directs the movie. Devlin is a disaster film veteran, but this trailer reveals that he has learned little from his long career. His writing and production credits include Independence Day, Godzilla (’98)and 2016’s pitiful Independence Day: Resurgence. His filmography has been on a downward trajectory and I would wager Geostorm will continue this trend.

I reckon with Warner Bros. struggles with the subpar results from its D.C. properites, they’re looking for a sure payoff, but this movie will not be it. Its only solid star is Ed Harris and I doubt his name will connect with Geostorm‘s target audience: teenagers.

The movie’s CGI is beautiful, a prerequisite for a disaster film, so the movie might breakeven. The trailer does its job showing the correct amount of stern expressions, massive storms, and impending death, but I just can’t get past its hackneyed story elements that line up with Day After Tomorrow‘s plot: The tornadoes are identical to the ones that ravage LA and the tidal wave that appears at the end of the trailer is indistinguishable from the one that floods NYC.

The movie is due out in October 20, 2017. I will be seeing something else that day.

Deadpool 2 (2018) – Teaser

Outlook: Insanely great

Director: David Leitch

Cast: Ryan Reynolds, Maria Baccarin, & David Harbour

20th Century Fox smartly placed this teaser in between Logan‘s trailers and the starting scene of Logan with no MPAA green splash screen. Without the screen, its start appeared to be the opening scene of Logan, so when Wade Wilson removes his hood, its a total surprise. I fell over in my seat laughing from the shock. The teaser epitomizes what Deadpool stands for: subverting the superhero genre through ruthless mocking. This trailer specifically mocks Superman, Spiderman, Stan Lee cameos, and of course, Wolverine. The trailer continues Deadpool‘s  awesomely crude humor with my favorite line being- “Zip it, Stan Lee!”

Things to note:

  1. On the phone booth someone has written “Nathan Summers cumming soon.” According to Wikipedia, Nathan Summers is an antagonist in the X-Men universe and his superhero name is Cable. I don’t know much about comic lore as I’ve never read one, but go to Wikipedia to learn more.
  2. The Firefly posters in the window behind the phone-booth. I’m sure this is a nod to Morena Baccarin’s most famous role besides her role as Wade’s girlfriend, Vanessa.
  3. The Deadpool Cliff Notes version of The Old Man and the Sea. In it Wade humorously harps on the similarities between the Old Man’s bad luck with the fish and his bad luck with Vanessa in Deadpool. Parts of it also sound like Donald Trump’s tweets. I’m not sure the connection there, but it is definitely worth a read.

Deadpool 2 is scheduled to be released sometime in 2018. Can’t come fast enough.

 

Pirates of the Caribbean: Dead Men Tell No Tales (2017) – Teaser

Outlook: Shamefully Poor

Directors: Joachim Rønning & Espen Sandburg

Cast: Johnny Depp, Orlando Bloom (rumored), Javier Bardem, Geoffrey Rush, & David Wenham

Pirates of the Caribbean: Dead Men Tell No Tales comes out on my birthday. May 26 has seen the release of many great summer blockbusters, including a few Star War films. Thankfully, this year I will be in India, where I will hopefully not be near a theater playing this movie.

Disney is really scraping the bottom of the (rum) barrel with this fifth installment in the Pirates franchise. The trailer proclaims that this is Jack Sparrow’s “Final Adventure.” I certainly hope their statement is true.

The trailer repeats the plot of the franchise’s predecessors: Jack Sparrow (Johnny Depp) running away from some half-dead man who is out to kill him. Javier Bardem’s character, Spanish Captain Salazar, could easily be exchanged for Geoffrey Rush’s skeletal-zombie Barbossa from the first film, or Bill Nighy’s mutated Davy Jones from Dead Man’s Chest and At World’s End. Salazar looks like a mix between these two previous villains.

I would gladly open my wallet for Jack Sparrow if Disney put him on a different adventure. I thoroughly enjoyed the first film and liked the third one as they were different and fun. The second and fourth, Dead Man’s Chest On Stranger Tides, bored me because of their lacking plots, tired dialogue, and flat characters. I wanted to leave both. This movie, like those predecessors, looks fatigued.

The only part of the trailer that interested me was the introduction. I would love if this movie utilized a more historically accurate story instead of mystical elements and zombie villains. That would be a welcome change. Young Jack Sparrow looked like a stone-cold badass. I want more of him.

Sadly, it appears Disney is sticking to the formula that they know works. They’re even attempting to revive the Elizabeth Swan-Will Turner relationship without Kiera Knightley and Orlando Bloom. At least those two actors have the sense to stay away from a bad movie. It appears Johnny Depp either doesn’t care or needs the money to help maintain his stupidly opulent lifestyle.

I’m a HUGE Disney fan and I strongly believe it is a mistake to continue this franchise with such a recycled story. I hope that I’m wrong.

By Hagood Grantham