Movie Score: 5 out of 5 (Classic)
Cast: Kurt Russell, Patrick Wilson, Richard Jenkins, Lili Simmons, Matthew Fox, & David Arquette.
Director: S. Craig Zahler
Synopsis: A stranger wanders into a small, western town. His suspicious actions draw the attention of the town sheriff, Hunt (Kurt Russell), who wounds the man when he tries to run away from an interrogation. That night, Samantha (Lili Simmons), the town’s stand-in doctor, tends to the man’s injury at the jail as Hunt’s deputy stands guard. The next morning, a townsman alerts Hunt that savages kidnapped Samantha, the deputy, and the stranger, which prompts a rescue mission. A four-man search party forms and they set-out after the savages. A lot of fun, death, and fear ensues.
I realize my synopsis might make Bone Tomahawk sound like a rip-off of John Wayne’s 1956 classic, The Searchers, but trusts me, Bone Tomahawk surpasses its predecessor. I think my favorite part of the film is its realness. The movie’s actors skillfully embody the frailty of human life on the west. When the savages attack the town, none of the townspeople run scared or act crazy. Through their actions, the audience can see that such awful occurrences are not uncommon. Also, none of the characters are normal western “heroes” who can shoot from the hip and hit a running man at 100 yards. Each man shoots how a normal, somewhat-skilled cowboy would shoot.
Bone Tomahawk‘s greatest deviation from The Searchers though is its gradual descent from a western film into a horror one. One of the first indications of such a transition begins with the Zahler’s decision to limit his shots to medium and close-up shots of the search party. At first, this limitation annoyed me because I wanted to see the grand landscapes that often paint western films. However, as Zahler restricts his shots, the audience loses more and more knowledge of what actions occurred outside of the frame, creating a sense of unease. Zahler compounds this feeling by electing not to add a score or soundtrack to the film. Breathing, crickets, and the wind are the only sounds the audience hears, which increased my fear because I felt so alone and lost while watching this movie. Normally, a movie’s score indicates when something is about to happen. Most horror movies have a soundtrack and when it stops, it is hinting that something is about to occur. Bone Tomahawk provided no such signposts leaving me on edge for most of the film.
Zahler also wrote the film and followed a tried and true formula. Place your characters in a bad situation and then make it worse. He did a fantastic job executing this strategy because with each passing moment, the search party fell into deeper and deeper peril. The reason I enjoyed this facet of the movie is because Zahler created believable reasons for each calamity to occur. My favorite was a brief moment of anger from Samantha’s husband, Arthur (Patrick Wilson), one of the four members of the search party. Mr. Brooder, another searcher, made a quip about Samantha that related to an earlier scene. Arthur responds negatively to the joke, punching Brooder. While his punch landed solidly on Brooder’s jaw, Arthur’s broke leg, in splints, lands unevenly on a rock causing the bone to break the skin. This injury forces Arthur to stay behind as the rest of the party carry’s on with its search.
Despite all these great facets, the moment that pushed Bone Tomahawk from an excellent film to a classic occurred later in the film when the savages overpower the search party and take them captive. The savages, who are also cannibals, lock the survivors into a cage and take out the previously captured deputy. Up to this point in the film, most violence acts were not shown but only heard. In what was the most grisly scene I’ve ever seen in my life, the savages take the deputy out of his cage, scalp him, shove his scalp in his mouth, take a tomahawk to his genitals, and then devour him. Zahler’s relative restraint in violence up to that point, combined with the high morality of the sheriff and his cohort (except for Brooder at times), the scene was unsettling to the extreme and made hope unreachable for the heroes.
Target Audience: Adults only.
For trailer, see below.
By Hagood Grantham