Movie Score: 4 out of 5 stars
Cast: Katherine Waterston, Danny McBride, Billy Crudup, Michael Fassbender
Director: Ridley Scott
Synopsis: The Covenant and its crew are carrying 2,000 colonists towards a new life deep into unknown space. Just like the original Alien, the crew stumble across a distress signal from an unexplored planet. The covenant follows the signal and horror ensues.
Halfway through Alien: Covenant one of the characters declares that ‘if one note is off, the whole symphony fails’. His words are prophetic for the film itself.
Alien: Covenant is an enjoyable film with scares equalling the terrifying Alien. Unfortunately, Alien: Covenant shares the same problems as Prometheus. It self-proclaims its own profoundness and complexity but buckles under this ambition, resulting in occasionally poor dialogue and plot omissions. Only Scott’s renewed focus upon the monsters distracts you from Covenant’s flaws until the film ends.
The film evades any of the questions raised by Prometheus, concluding without any finality to the Alien arc. The cliff hanger ending was well-delivered, but exposes the whole film to be mere kindling for another sequel. Nor does Alien: Covenant provide an explanation of past events for new viewers. I found the film engrossing, but Alien: Covenant will confuse the uninitiated, and disappoint fans expecting answers to Prometheus.
Alien: Covenant does have many merits. Scott has repeated the pragmatically futuristic design from Alien, coupled with CGI, to create a grounded and believable world. Alien: Covenant is genuinely terrifying, with Scott returning to the slasher-esque feel of the original as the crew scramble to fight or flee from the monsters. The monsters themselves do fall flat in earlier scenes where they are clearly computer generated, but their menace grows, especially when they appear in glimmers before snatching their prey.
Scott, when interviewed in a Q and A about Alien, said that if you cast properly for a film you have done half of the work. For Alien: Covenant, Scott stuck to his maxim. The cast is a solid roster who convincingly portray the Covenant’s crew. Danny McBride (Tennessee) and Katherine Waterston (Daniels) stand out from the cast. In the past Waterston has stuck to roles portraying damsels in distress. At Alien: Covenant’s beginning, it seemed that Waterston would repeat that role, but she transforms into the pragmatic leader of the survivors. Danny McBride, known for comedic roles, suits the slightly more serious character in Alien: Covenant. It would be great to see him in similar roles soon.
One of the best aspects of the film is the power play within the Covenant’s crew. Certain characters, as tragedies unfold, either break or harden, letting us witness a power shift between the crew from Alien: Covenant’s beginning to end.
Michael Fassbender, as identical androids David and Walter, delivers a great performance once more. Both characters are mirror opposites of each other, developing a twisted father-son relationship, repeating David’s own relationship with Peter Weyland, the androids’ creator.
Other characters may seem underdeveloped, but Alien: Covenant is a monster film, with a vast cast to boot. Given the circumstances, it would be difficult for many of the characters to be well-developed before they die off. However, the lack of expostion for David causes his surrounding air of mystery to dwindle, transforming him into a vaudeville villain.
David’s character underlines what might be the central flaw of Alien: Covenant and Prometheus. Both films require a near complete focus and prior viewing of Scott’s earlier sci-fi films, to understand and appreciate their stories and themes. Personally, Prometheus and Alien: Covenant, through their focus on artificial intelligence and conflicts between the creator and the created, are spiritual successors to Blade Runner.
For the every-man, Alien: Covenant will likely disappoint and confuse as much as it may entertain.
By Saul Shimmin
For the trailer, see below: